The greatest danger, that of losing one's own self, may pass off as quietly as if it were nothing; every other loss, that of an arm, a leg, five dollars, a wife etc., is sure to be noticed.

I did find Calypso — but only once, far in the depths of the very wildest of Canadian dark woods, near those high, cold, moss-covered swamps. … I felt as if I were in the presence of superior beings who loved me and beckoned me to come. I sat down beside them and wept for joy.

Prema (love): practise that; develop that; spread that; and all the hatreds and jealousies of today will disappear. That is the duty of the Divine Life Society, here as well as elsewhere.

Daisuke Katô - Inokichi

With A King in New York Charles Chaplin was the first film-maker to dare to expose, through satire and ridicule, the paranoia and political intolerance which overtook the United States in the Cold War years of the 1940s and 50s.

Maybe if I stick close to the big guy, maybe those pests will stop shooting at us.

Africa’s future depends on how we empower our youth today.

There are people who the more you do for them, the less they will do for themselves.

?What many find interesting about my artworks is that although they are based on traditional Ndebele designs, they are still very modern and current. They can fit into a home or office anywhere in the world and don’t appear dated.”

The Iranian revolution of today, therefore, is a natural heritage of the historical struggle for freedom and social equality among Arab people, who have continued to fight under the banner of Islam and to draw their inspiration from the teachings of the Koran and the prophet Muhammad (Page 4)

4: I don't care anymore about looking perfect, it's so overrated! And 5: I don't need a nose job or blond hair, 'cause my sex-god boyfriend likes me JUST the way I am! Result!

[to Latika] I will wait for you, 5 pm everyday at the train station.

M. R. Kale, [https://archive.org/details/in.ernet.dli.2015.53790/page/n235/mode/2up Kalidasa's Kumarasambhava Cantos I-VII] (Bombay: Standard Publishing Co., 1917)

[Ricky: GARBAGE DAY!] Huh? NO!

People tell my father, 'You've lost your daughter; she's fighting against tradition and religion!' He's scared but supports me

Kiarostami gave the Iranian cinema the international credibility that it has today. ... But his films were unfortunately not seen as much in Iran. He changed the world's cinema; he freshened it and humanised it in contrast with Hollywood's rough version.